Review by Guitar Buyer Magazine

Progress is a double-edged sword in that often much is gained, but also something is lost. The development of the steel-string acoustic guitar is a good example, in fact. The earliest steel-strings were very similar to classical guitars, then over the years, the form evolved –body sizes grew, giving more punch and power, bracing got thicker to better withstand heavier string gauges, and the neck joint is now usually at the 14th fret, giving improved top of- neck access, not to mention slimmer necks for easier playing in general.

But together, all these changes make for a very different instrument, and some players feel that it hasn’t all been for the better – especially for more delicate playing styles, where maximum volume for chordal strumming isn’t necessarily the goal.

Many independent luthiers now cater for these players, offering smaller-sized guitars with the emphasis on sensitivity rather than power. Malcolm Weaver is just such a maker, and he has a few interesting ideas and variations on the theme with his Olivewood range of handmade instruments.


Click here to read the full review